{"product_id":"typeface-notebook-gil-sans-hellgrun-handgefertigtes-letterpress-notizbuch-a6-japan-tomigaya-letterpress","title":"Notebook Typeface Gill Sans – Japan Letterpress, A6 Light Green | Tomigaya · Design Gift","description":"\u003cdiv class=\"cm-product\"\u003e\u003cp class=\"cm-label\"\u003e\u003cspan\u003e\u003cspan\u003eTOMIGAYA LETTERPRESS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"cm-tagline\"\u003e\u003cem\u003eThe typeface of the BBC and Penguin Books – hand-pressed in Tokyo.\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"cm-intro\"\u003eThe Typeface Notebook Gill Sans carries one of the most significant typefaces in printing history on its cover: Gill Sans, designed 1928 by Eric Gill. Tomigaya Letterpress in Tokyo has individually hand-pressed it onto the cloth hardcover using vintage wooden type in 活版印刷 technique — deep, tactile, lasting. The result: an A6 hardcover notebook with 365 dot-grid pages that makes typographic history physically present.\u003c\/p\u003e\u003cdiv class=\"cm-highlight\"\u003eHand-pressed letterpress cover · Gill Sans (Eric Gill, 1928) · 365 dot-grid pages · two ribbon bookmarks · cloth hardcover · made in Tokyo · Cover: Light Green\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eThe Typeface: Gill Sans\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eEric Gill designed Gill Sans in 1928 for Monotype, inspired by Edward Johnston's lettering for the London Underground. The result: a humanist sans-serif with warmth, clarity and an unmistakably British character. The BBC adopted it as its corporate typeface; Penguin Books and British Rail followed. Often called “the British Helvetica”, Gill Sans balances approachability with design sophistication — functional and elegant in equal measure.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eJapanese Letterpress Craft: 活版印刷\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eTomigaya Letterpress works from a small studio in the Tomigaya neighbourhood of Shibuya, Tokyo — run by Hosoyamada Design Office. 活版印刷 (kappan-insatsu), Japanese letterpress printing with movable type, is not archived here: it is practised daily. Each cover is pressed individually by hand using vintage wooden type blocks. The result is the impression — a visible, tactile indentation in the board that no digital printing can replicate. Slight variations between copies are the proof that human hands were involved.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eThe Interior\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003e365 dot-grid pages, consecutively numbered — and the page numbers are typeset in the cover typeface: Bodoni, Gill Sans or Futura, consistently through to the last page. The interior is printed with RISO, a Japanese-developed printing method that produces warm, lightly textured pages. The paper is fountain-pen compatible. The hardcover is cloth-bound; the binding was produced by a long-established bookbindery in Bunkyo Ward, Tokyo. Two built-in ribbon bookmarks. An object you want to use every day.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eWho it’s for\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eThe Typeface Notebook Gill Sans is an exceptional gift for typography and design enthusiasts, Anglophiles, lovers of clear modernist design, book designers and anyone who appreciates beauty with purpose. It works for birthdays, Christmas, weddings, graduations, housewarmings — and as a considered gift for anyone who would rather have a notebook with meaning than a generic one.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eProduct Details\u003c\/p\u003e\u003ctable class=\"cm-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003cth\u003eBrand\u003c\/th\u003e\u003ctd\u003eTomigaya Letterpress\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eSeries\u003c\/th\u003e\u003ctd\u003eTypeface Note \/ Gill Sans\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover Typeface\u003c\/th\u003e\u003ctd\u003eGill Sans (Eric Gill, 1928)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover Colour\u003c\/th\u003e\u003ctd\u003eLight Green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eFormat\u003c\/th\u003e\u003ctd\u003eA6 · 15.5 × 11.5 × 2.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003ePages\u003c\/th\u003e\u003ctd\u003e365 dot-grid · RISO interior\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003ePrint Technique\u003c\/th\u003e\u003ctd\u003eLetterpress (活版印刷)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover\u003c\/th\u003e\u003ctd\u003eHardcover · cloth-bound · two ribbon bookmarks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eBinding\u003c\/th\u003e\u003ctd\u003eTraditional bookbindery, Bunkyo, Tokyo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eMade in\u003c\/th\u003e\u003ctd\u003eTokyo, Japan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eWeight\u003c\/th\u003e\u003ctd\u003eapprox. 260 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp class=\"cm-section-label\"\u003eFrequently Asked Questions\u003c\/p\u003e\u003cdiv class=\"cm-faq\"\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat is letterpress printing?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eLetterpress (活版印刷) is a relief printing technique: raised letterforms are inked and pressed into paper or board. The result is the impression — a visible, tactile indentation that no digital printing can replicate. Tomigaya Letterpress hand-presses each cover individually using vintage wooden type in Tokyo.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhy is Gill Sans a significant typeface?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eGill Sans (Eric Gill, 1928) is one of the most important typefaces in printing history. It has been used for generations by BBC, Penguin Books, British Rail, Tommy Hilfiger. Anyone who recognises this name immediately understands the cultural value of this notebook.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat makes this an exceptional gift?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eIt combines two powerful stories: the history of an iconic typeface and the craft of Japanese letterpress tradition. The result is not just a notebook but an object with meaning — ideal for typography.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat occasions suit this notebook as a gift?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eBirthday, Christmas, wedding, housewarming, graduation, anniversary, Valentine's Day or a spontaneous thank-you — the Typeface Notebook works wherever a gift is needed that shows genuine thought.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat are the interior pages like?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003e365 dot-grid pages, consecutively numbered. The page numbers are typeset in Gill Sans — consistently to the last page. The interior is printed with RISO, a Japanese printing method with a warm, lightly textured result. The paper is fountain-pen compatible.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat is dot-grid?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eDot-grid is a pattern of evenly spaced dots that acts as a subtle guide — ideal for writing, sketching, diagrams and notes. Less rigid than lines, more structured than blank.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eHow is the notebook constructed?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eCloth-bound hardcover, two built-in ribbon bookmarks, bound by a long-established bookbindery in Bunkyo Ward, Tokyo. The cover is hand-pressed with vintage wooden type using letterpress. Each copy shows minimal individual variations — evidence of the handcraft.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eDoes Gill Sans come in multiple colours?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eYes — the Typeface Notebook Gill Sans is available in four cover colours: Yellow, Orange, Baby Blue and Light Green. Combining multiple colours creates an elegant typography collection.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eAre there other typefaces in this series?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eYes — the Typeface Note series covers three historical typefaces: Bodoni (1798), Gill Sans (1928) and Futura (1927). Each in four cover colours, twelve variants in total.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eIs the paper suitable for fountain pens?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eYes. The book paper used is fountain-pen compatible — no bleed-through or feathering with regular use of fountain pens or fine-tipped rollers.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-cta\"\u003e\u003cp\u003eTypeface Notebook Gill Sans – order now in Light Green and hold a piece of typographic history.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-product\"\u003e\u003cp class=\"cm-label\"\u003e\u003cspan\u003e\u003cspan\u003eTOMIGAYA LETTERPRESS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"cm-tagline\"\u003e\u003cem\u003eBritish typographic heritage, hand-pressed in Japan – a notebook with a clear point of view.\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"cm-intro\"\u003eGill Sans is one of the most significant typefaces in Western printing history — designed Eric Gill, 1928. Tomigaya Letterpress in Tokyo presses it onto the cover of an A6 cloth hardcover notebook using vintage wooden type in 活版印刷 technique: a visible, tactile impression. The meeting of European typographic tradition and Japanese printing craft.\u003c\/p\u003e\u003cdiv class=\"cm-highlight\"\u003eLetterpress cover · Gill Sans (Eric Gill, 1928) · A6 cloth hardcover · 365 dot-grid pages · RISO interior · Tokyo, Japan · Cover: Light Green\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eTypographic Heritage: Gill Sans\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eEric Gill designed Gill Sans in 1928 for Monotype — a humanist alternative to the geometric sans-serifs of German modernism. With warm proportions and clear structure, it became the typeface of British cultural life: the BBC, Penguin Books, British Rail. The Typeface Notebook makes that character physically present.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eJapanese Letterpress Craft: 活版印刷\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eTomigaya Letterpress works from a small studio in the Tomigaya neighbourhood of Shibuya, Tokyo — run by Hosoyamada Design Office. 活版印刷 (kappan-insatsu), Japanese letterpress printing with movable type, is not archived here: it is practised daily. Each cover is pressed individually by hand using vintage wooden type blocks. The result is the impression — a visible, tactile indentation in the board that no digital printing can replicate. Slight variations between copies are the proof that human hands were involved.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eThe Object: Construction \u0026amp; Details\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eCloth-bound hardcover, produced by a traditional bookbindery in Bunkyo Ward, Tokyo. 365 dot-grid pages printed with RISO — a Japanese method that produces warm, subtly textured surfaces. Page numbers typeset throughout in the cover typeface: Bodoni, Gill Sans or Futura, consistently to the last page. Two built-in ribbon bookmarks. Fountain-pen compatible paper. A coherent object: concept, craft and material without compromise.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eProduct Details\u003c\/p\u003e\u003ctable class=\"cm-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003cth\u003eBrand\u003c\/th\u003e\u003ctd\u003eTomigaya Letterpress\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eSeries\u003c\/th\u003e\u003ctd\u003eTypeface Note \/ Gill Sans\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover Typeface\u003c\/th\u003e\u003ctd\u003eGill Sans (Eric Gill, 1928)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover Colour\u003c\/th\u003e\u003ctd\u003eLight Green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eFormat\u003c\/th\u003e\u003ctd\u003eA6 · 15.5 × 11.5 × 2.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003ePages\u003c\/th\u003e\u003ctd\u003e365 dot-grid · RISO interior\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003ePrint Technique\u003c\/th\u003e\u003ctd\u003eLetterpress (活版印刷)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover\u003c\/th\u003e\u003ctd\u003eHardcover · cloth-bound · two ribbon bookmarks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eMade in\u003c\/th\u003e\u003ctd\u003eTokyo, Japan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eWeight\u003c\/th\u003e\u003ctd\u003eapprox. 260 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp class=\"cm-section-label\"\u003eFrequently Asked Questions\u003c\/p\u003e\u003cdiv class=\"cm-faq\"\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat makes Gill Sans typographically distinctive?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eGill Sans (Eric Gill, 1928) is a humanist sans-serif with warmth, clarity and a distinctly British character — functional and aesthetic in equal measure. The letterpress cover makes this quality physically present.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat is letterpress printing?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eLetterpress (活版印刷) is a relief printing technique using movable type: inked letterforms are pressed into the material, leaving a visible, tactile impression. Tomigaya Letterpress in Tokyo practises this near-lost technique daily, using vintage wooden type blocks.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat is RISO printing?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eRISO is a Japanese-developed risography printing method — similar in principle to screen printing, producing a characteristic warm, lightly textured surface. The interior pages of the Typeface Notebook are RISO-printed: warm, subtly textured, with their own quality.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat are dot-grid pages?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eDot-grid is an evenly spaced pattern of dots as a subtle guide — ideal for writing, sketching and structured notes. Less rigid than lines, more ordered than blank.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eHow is the notebook constructed as an object?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eCloth-bound hardcover, bound by a long-established bookbindery in Bunkyo Ward, Tokyo. 365 dot-grid pages, page numbers typeset in the cover typeface. Two built-in ribbon bookmarks. Each cover individually hand-pressed: minimal individual variations are part of the object.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eHow does Gill Sans differ from the other typefaces in the series?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eThe Typeface Note series brings together three typographic characters: Bodoni (classical luxury serif), Gill Sans (humanist British sans-serif) and Futura (geometric modernism). The notebooks are identical in content — the difference lies in the typographic heritage of each cover.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eIs the paper fountain-pen compatible?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eYes — the book paper is fountain-pen compatible, with no bleed-through under normal use with fountain pens or fine-tipped rollers.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-cta\"\u003e\u003cp\u003eTypeface Notebook Gill Sans Light Green – a notebook that brings typographic history into daily life.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-product\"\u003e\u003cp class=\"cm-label\"\u003e\u003cspan\u003e\u003cspan\u003eTOMIGAYA LETTERPRESS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"cm-tagline\"\u003e\u003cem\u003eBodoni, Gill Sans, Futura – typefaces with history as a range that sells itself.\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"cm-intro\"\u003eThe Typeface Notebook Gill Sans by Tomigaya Letterpress positions itself in the premium stationery segment — with a sales story that nearly tells itself at the point of sale. Gill Sans has broader name recognition than Bodoni — BBC, Penguin Books, British Rail: these references open a story customers instantly understand and respond to. Combined with Japanese letterpress craft, the result is a product that design-aware customers understand — and buy — immediately.\u003c\/p\u003e\u003cdiv class=\"cm-highlight\"\u003eMOQ: 5 units · 12 SKUs: 3 typefaces × 4 colours · EAN per variant available · Hand-pressed letterpress cover · Cover: Light Green\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eThe Craft as a Sales Argument\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eThe decisive sales argument is the story of making — and it is as simple as it is compelling. Tomigaya Letterpress presses each cover individually by hand with vintage wooden type in 活版印刷 (kappan-insatsu) technique. The impression — a visible, tactile indent in the cover board — is the physical proof of craft that customers can feel in seconds. Complementing this: RISO-printed interior pages (a Japanese printing method), page numbers in the cover typeface, a cloth hardcover, two ribbon bookmarks and binding by a traditional Bunkyo bookbindery. Each of these details is a standalone story for the sales conversation.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eWhy This Range Works in Retail\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eThe Typeface Note collection sells through recognition and story: Bodoni, Gill Sans and Futura are names with meaning in the design and culture world. Customers who recognise one of these names immediately understand the value of the product — without lengthy explanation. The combination of Japanese letterpress craft and Western typographic icons creates a unique positioning: neither purely Japanese nor purely European, but a credible synthesis. The collection format (12 variants: 3 typefaces × 4 colours) drives collecting behaviour and repeat purchase. Customers who buy one variant frequently return for others.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eTarget Customer \u0026amp; Purchase Motives\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003ePrimary target: graphic designers, typographers, book designers, fashion-conscious creatives and design-aware consumers who look for meaning behind products. Secondary: Japan enthusiasts and craft lovers drawn to the manufacturing narrative. As a gift: ideal for creative professionals, design students, typography enthusiasts and anyone who would rather spend on a meaningful object than a generic one. Purchase decisions are frequently made at the point of sale through haptic contact — the impression on the cover convinces in seconds.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003ePOS Recommendation \u0026amp; Range Strategy\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eDisplaying all 12 variants together as a collection maximises visual impact: as a table display (3 typefaces side by side) or as a typography shelf (sorted by typeface or colour). A short explanation of the letterpress process and each typeface's history significantly increases dwell time and conversion — the product explains itself with the right context. Product copy, images and POS material available on request.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eProduct Details\u003c\/p\u003e\u003ctable class=\"cm-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003cth\u003eBrand\u003c\/th\u003e\u003ctd\u003eTomigaya Letterpress\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eSeries\u003c\/th\u003e\u003ctd\u003eTypeface Note \/ Gill Sans\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover Typeface\u003c\/th\u003e\u003ctd\u003eGill Sans (Eric Gill, 1928)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eCover Colour\u003c\/th\u003e\u003ctd\u003eLight Green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eEAN\u003c\/th\u003e\u003ctd\u003eVariant-specific (in article master data)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eMOQ\u003c\/th\u003e\u003ctd\u003e5 units\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eFormat\u003c\/th\u003e\u003ctd\u003eA6 · 15.5 × 11.5 × 2.5 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003ePages\u003c\/th\u003e\u003ctd\u003e365 dot-grid · RISO interior\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003ePrint Technique\u003c\/th\u003e\u003ctd\u003eLetterpress (活版印刷), Tokyo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003cth\u003eWeight\u003c\/th\u003e\u003ctd\u003eapprox. 260 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp class=\"cm-section-label\"\u003eFrequently Asked Questions\u003c\/p\u003e\u003cdiv class=\"cm-faq\"\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eHow do I explain letterpress printing to customers at the point of sale?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eThe simplest method: put the product in their hands. The impression — the tactile indent in the cover — convinces in seconds. A brief phrase helps: 'Each cover is individually hand-pressed with vintage wooden type in Tokyo.' That is enough. Customers who know typography will ask for more on their own.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhy Japan? What makes production in Tokyo special?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eTomigaya Letterpress in Shibuya practises active 活版印刷 — Japanese letterpress with movable type. This technique has nearly disappeared in Europe; in Japan, a few studios keep it alive as a living craft. The combination of Western typographic icons (Bodoni, Gill Sans, Futura) with Japanese printing tradition is authentic and unique — not a marketing construct but a daily practice.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eHow is the range structured?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003e12 SKUs: 3 typefaces (Bodoni, Gill Sans, Futura) × 4 cover colours. Gill Sans is available in Yellow, Orange, Baby Blue and Light Green. MOQ: 5 units per SKU. Each variant has its own EAN.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWho buys this product?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003ePrimary: graphic designers, typographers, book designers, fashion-conscious creatives and design-aware consumers who look for meaning behind products. Secondary: Japan enthusiasts and craft lovers. As a gift: ideal for creative professionals, design students, anyone who prefers a meaningful object over a generic one. Purchase decisions are frequently made through haptic contact.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat is the best way to display the range?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eAll 12 variants together as a collection — as a table display (3 typefaces side by side) or a typography shelf. A short explanatory card on letterpress and typeface history measurably increases dwell time and conversion.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eIs marketing material and POS support available?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eOn request, Charles \u0026amp; Marie provides product copy, images and POS material: b2b@charlesandmarie.com\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhy does the collection drive repeat purchase?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eCustomers who buy one variant frequently return for others — a different typeface or a different colour. The collection principle (3×4) works both for individual customers and as a recommendation product: 'I have Bodoni, you should get Futura.'\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Tomigaya Letterpress","offers":[{"title":"Default Title","offer_id":54661896798476,"sku":"TOM_0001_LG_GS","price":11.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0081\/4546\/9499\/files\/254750-notebook-gillsans-typography-notebook-stationery-de-en-menthol-blue-cutout-2130-03-HQ.jpg?v=1775391479","url":"https:\/\/b2b.charlesandmarie.de\/en\/products\/typeface-notebook-gil-sans-hellgrun-handgefertigtes-letterpress-notizbuch-a6-japan-tomigaya-letterpress","provider":"Charles \u0026 Marie's B2B Shop | Fachhandel | Wholesale","version":"1.0","type":"link"}